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ClandesTime 169 – Margaret Thatcher and the Entertainment Industry

The British government’s role in using the entertainment industry is smaller than in America, but nonetheless involves many of the same familiar activities.

Stars of CBS’ FBI Admit They are Making Propaganda for the FBI

Missy Peregrym and Zeeko Zaki, two of the stars of the CBS drama FBI were asked about the government shutdown this week, and responded with a statement that sounds like it was written by the FBI's Investigative Publicity and Public Affairs Unit.

The Pentagon Rewrites History Through Movies – In Total Violation of its Directives on Hollywood

The DOD claim that they only rewrite Hollywood scripts in order to ensure accuracy and to inform the public about the military and its mission. This is total bullshit.

ClandesTime 167 – Phil Strub’s Greatest Hits

I recently found out that Strub retired from his job as the DOD’s Hollywood liaison last July, though this wasn’t covered by any news outlets and the DOD didn’t bother to tell anyone.

How Many Movies has the Pentagon Prevented from Being Made?

The Pentagon's censorship of movie scripts is fairly well established - I have documented numerous instances on this site. But their ultimate power is the ability to kill a production, to prevent a film being made.

ClandesTime 166 – An Alternative History of Al Qaeda: Aimen Dean

Aimen Dean, born Ali Al-Duranni, was MI6’s spy inside Al Qaeda from 1998 to 2006. In this episode I do a critical view of his autobiography Nine Lives: My Time as MI6’s Top Spy Inside Al Qaeda, and how Dean’s story connects to other people and events explored in this series.

ClandesTime 165 – Military Meta-Propaganda

Since the publication of National Security Cinema last summer, we have seen an uptick in the media coverage of the Pentagon in Hollywood, much of it originating with the Pentagon itself. This week I take a look at the PR efforts the DOD has embarked upon, about its own PR efforts in Hollywood.

Why a Transgender James Bond Completely Misses the Point

After actor Dominic West suggested that the next James Bond be transgender the commentariat have gone batshit arguing over whether this is a key moment in the struggle for trans rights or another sign that the entertainment industry is dominated by damn commie libe

The Wire Season 4 Review (Preview)

In this penultimate review episode I look at how the education system is a poor place to learn anything, how standardised testing is a form of child abuse, the fundamental problems of electoral politics, and expand on why an intelligence-based approach to societal problems is always better than a military-based ap

Why Does the Pentagon ████ing Hate Swearing in Movies?

One of the Pentagon's consistent bugbears when it comes to movie scripts is swearing. Whether it is from the mouths of military or civilian characters, the DOD doesn't like those ████ing cuss words. But why not?

How Does Cinema War Propaganda Really Work?

In our latest article, Matt and I reflect on two of the most common claims made about National Security Cinema, namely 1) That the government is really important in making movies more militaristic and 2) That Hollywood doesn’t produce dissenting films.

On Her Majesty’s Clandestime Service – Tom Secker on Fortress on a Hill

Chris and Danny from Fortress on a Hill invited me onto their podcast to discuss militarism in Hollywood, the DOD's role in altering scripts, how recruitment propaganda works in the UK, the military vs intelligence approaches to cou

Why Does the US Army have a Collection of Nazi Art?

The latest release from the US Army's entertainment liaison office provokes many questions. Why did they refuse to support the movie Rampage? Why are the military pitching ideas to studio executives? Who is in charge of the Pentagon's operations in Hollywood?

ClandesTime 162 – The Spook Who Sat by the Door

The Spook Who Sat by the Door tells the story of the first African-American to be recruited by the CIA. After becoming disillusioned with the Agency he quits and sets up a black power guerilla army that wages urban war across the United States.

After Claiming They Couldn’t Find It, FBI Release Sam Greenlee File That’s More Redacted than National Archives Version

The FBI got back to me recently with a response to my request on The Spook Who Sat by the Door, including a few pages from Sam Greenlee's FBI file, which they'd previously claimed they could not find.

Review – War School: The Battle for Britain’s Children

It isn't often that I see a film that angers and educates me in equal measure. War School: The Battle for Britain's Children is a new documentary exploring the growing peace movement in the UK, and the militarisation of British schools for propaganda and recruitment purposes.

ClandesTime 160 – Why Doesn’t Hollywood Make War Films Any More?

Hollywood doesn’t make war films any more. This isn’t entirely true, but compared to the post-WW2 period there are a lot less war films being made today.

Top Gun ‘Rehabilitated the Military’s Image’ After Vietnam, According to the Pentagon

The late Cold War classic Top Gun is one of the most well-liked military movies of all time. It's combination of romance, comedy and never-seen-before aerial action was made possible by extensive support from the DOD, particularly the US Navy.

How the Vietnam War changed the Pentagon’s Entertainment Liaison Offices and Helped Kill the War Movie

The Vietnam war had a huge impact.  3 million dead Vietnamese, tens of thousands of dead Americans, and millions more on both sides suffering from trauma, depression and drug and alcohol addiction.  It also ha