DOD

[Video] Jack Ryan, the CIA and Venezuela

A video essay presenting my breakdown of Amazon's Jack Ryan, including how the CIA, DOD and other US government agencies were involved in producing it.  I outline some of the history between the government and Tom Clancy productions before breaking down how seasons 1 and 2 are propaganda for US foreign

Jack Ryan, Midway, and For All Mankind

It has been another curious week of half-truths, spin and outright falsehood as culture commentators get to grips with recent releases Jack Ryan (on Amazon), For all Mankind (on Apple TV) and Midway (in theaters now).

Did the Pentagon Support Venezuela Coup Porn Jack Ryan Season 2?

As prep for my forthcoming video on Amazon's Jack Ryan as next-gen propaganda I've been keeping an eye on promotions and events around the launch of season two in November.  The first episode was shown at New York Comic-Con a few days ago, and at a panel disc

Whistleblowers, Media & Leaks: Information Age or Censorship Era?

A few macro points on government whistleblowers, leaks and the media. If the media, journalists, did what they are supposed to be doing, would there be any need for channels such as Wikileaks? But the media, and almost all coopted alternative media with a large reach, have been doing the exact opposite- Here’s how. The [&;]

Napalm, Ambushes and Russian Roulette: Why the Pentagon Rejected The Deer Hunter

The epic war drama The Deer Hunter won five Oscars, despite the central conceit and metaphor of the film being inaccurate.  This conceit - that the Viet Cong forced American prisoners of war to play Russian Roulette - is the main reason the f

Snowden PR Stunt 2.0- Real vs. Fake vs. “Expired” Whistleblowers

In this video I briefly discuss Edward Snowden’s new book, the facts governing publishing books when it comes to government intel whistleblowers, government intelligence agencies’ Prepublication Review and Authorization process, and provide you with a broad overview of three types of Government Whistleblowers. The Lone Gladio Paperback The Lone Gladio e-Book Classified Woman Paperback Classified [&;]

ROI: Does the Pentagon Fund Movies?

One of the most common conspiracy theories you hear in this line of research is that the Pentagon and CIA fund Hollywood movies.  This isn't entirely untrue - the CIA covertly funded productions of Animal Farm and 1984 in the early Cold War period - but on the whole, it is untrue.  In all the many thousands of documen

Revolving Doors: Technical Advisors and The Entertainment-Propaganda Complex

The role of the technical advisor is crucial to understanding the military-Hollywood relationship, but very few people know who these people are or what they do.  Even less well known is that a significant number of private industry techni

ClandesTime 192 – The Cinema of the Navy SEALs

The US Navy SEALs are known as the ‘quiet professionals’, but in recent times they have become the highest-profile of all US special forces.

The US Navy Supported Captain Phillips – One of the Most Inaccurate Movies I’ve Ever Seen

Captain Phillips tells the story of the 2009 hijacking of the Maersk Alabama - a US container ship - off the coast of Somalia, and the subsequent US Navy intervention that killed three of the pirates and arrested the fourth.  It is also one of the least historically accurate films

Disney’s Star Wars, the Military and the Worst Hats I’ve Ever Seen

Walt Disney World Resort’s Star Wars: Galaxy’s Edge opens this week - 14 acres of Star Wars experience for those who want to waste their money on plastic replicas of pod racers, Jar Jar Binks masks and hair dye so they can look like Vice Admiral Gender

The DOD and Lone Survivor

Lone Survivor is a piece of absolute militaristic schlock, starring the whiny-voiced Marky Mark Wahlberg as Navy SEAL Marcus Luttrell - the only survivor of Operation Red Wings, a 2005 special forces joint operation in the summer of 2005.  Over 100 pages of Navy documents show their heavy involvement in the film and how they covered

How the Pentagon Rewrote GI Jane

GI Jane is a crude, clumsy attempt to show a 'woman's perspective' on being in the military, that ruined Demi Moore's career as a leading lady.  Little known until now is how the Pentagon negotiated with Ridley Scott to rewrite the script, and even though the film didn't qualify for military support some of the scr

Clint Eastwood and the Geneva Conventions

One issue that comes up repeatedly in the script changes enforced by the Pentagon is war crimes, and other violations of the Geneva Conventions.  As is so often the case I'm left thinking 'if only the DOD applied the same rules to real life wars as they do to the depiction of wars i

Born on the 4th of July – Tom on Fortress on a Hill

In the second part of our discussion (following Combat Obscura), Henri, Keagan and I talked about the 1989 Oliver Stone classic Born on the 4th of July.  Based on the real life experiences of Ron Kovic, we charted the film's development in the late 70s and into the 80

ClandesTime 191 – The ‘Disguised’ Political Film in Hollywood

Why isn’t the ‘political film’ a genre of cinema? Hollywood puts out a consistent stream of politically-themed films, but rarely if ever promotes them as such.

Schlock ex Machina – Is Godzilla: King of the Monsters the Dumbest Movie Ever?

I was looking forward to Godzilla: King of the Monsters, having been a fan of giant creature features since I was a young boy.  The blend of massive-scale action and affirming our need to respect nature is a winning combination for me.  Then I watched it

From Premises to Character Arcs – How Deeply the Military Rewrites Film & TV

Sometimes the US military's rewriting of scripts is very specific - take out this joke about the US losing in Vietnam, swap this bottle of beer for an energy drink, remove this scene where soldiers set fire to a village and rape all

Why Amazon’s The Boys is the Most Subversive TV Show of the Year

Amazon Prime's The Boys is not only the most enjoyable TV show I've seen all year, it's also the most subversive.  While it will appeal to audiences suffering from superhero fatigue after more than a decade of relentless Marvel and DC products, it is so much mo

‘You Need to Keep an Eye on the Director’ – US Army emails

The US Army's emails on The Long Road Home show that not everything ran smoothly while filming progressed as Fort Hood.  While all of the information on script input is redacted, one email contains production notes from the Army's project officer Lt Col.

ClandesTime 187 – When Entertainment Liaison Offices Go Bad

The relationship between government liaison offices and the entertainment industry usually works well, resulting in added production value for the industry’s products and the furtherance of the government’s agendas. But sometimes things go wrong.