Entertainment Liaison Offices

[Video] Jack Ryan, the CIA and Venezuela

A video essay presenting my breakdown of Amazon's Jack Ryan, including how the CIA, DOD and other US government agencies were involved in producing it.  I outline some of the history between the government and Tom Clancy productions before breaking down how seasons 1 and 2 are propaganda for US foreign

US Coast Guard’s Hollywood Office Takes 3 YEARS to Release 20 Pages of Documents

In March 2016 I put in a FOIA request with the US Coast Guard.  Several appeals, a lot of ignored emails and well over three years later they finally released just 20 pages of documents on the activities of their entertai

ClandesTime 196 – The Final Countdown

The Final Countdown is a classic of good bad cinema, featuring an aircraft carrier that goes through a wormhole and goes back in time to the day before Pearl Harbor was attacked. In this episode I review and analyse the film, which benefited from full DOD support.

Napalm, Ambushes and Russian Roulette: Why the Pentagon Rejected The Deer Hunter

The epic war drama The Deer Hunter won five Oscars, despite the central conceit and metaphor of the film being inaccurate.  This conceit - that the Viet Cong forced American prisoners of war to play Russian Roulette - is the main reason the f

ROI: Does the Pentagon Fund Movies?

One of the most common conspiracy theories you hear in this line of research is that the Pentagon and CIA fund Hollywood movies.  This isn't entirely untrue - the CIA covertly funded productions of Animal Farm and 1984 in the early Cold War period - but on the whole, it is untrue.  In all the many thousands of documen

Revolving Doors: Technical Advisors and The Entertainment-Propaganda Complex

The role of the technical advisor is crucial to understanding the military-Hollywood relationship, but very few people know who these people are or what they do.  Even less well known is that a significant number of private industry techni

From Premises to Character Arcs – How Deeply the Military Rewrites Film & TV

Sometimes the US military's rewriting of scripts is very specific - take out this joke about the US losing in Vietnam, swap this bottle of beer for an energy drink, remove this scene where soldiers set fire to a village and rape all

Why Amazon’s The Boys is the Most Subversive TV Show of the Year

Amazon Prime's The Boys is not only the most enjoyable TV show I've seen all year, it's also the most subversive.  While it will appeal to audiences suffering from superhero fatigue after more than a decade of relentless Marvel and DC products, it is so much mo

‘In The Navy’ Songwriter Dead at 82

Co-founder of the Village People and co-writer of 'YMCA', 'Macho Man' and 'In the Navy' Henri Belolo died last saturday at the age of 82.  Born in Casablanca, Belolo was a key member of perhaps the first openly gay disco outfit.  He also participated in one of the funniest co-sponsorship deals the US Navy has ever seen.(

ClandesTime 187 – When Entertainment Liaison Offices Go Bad

The relationship between government liaison offices and the entertainment industry usually works well, resulting in added production value for the industry’s products and the furtherance of the government’s agendas. But sometimes things go wrong.

“Shame on them, they know better” – When the Pentagon Fell Out with NCIS

For over a decade the CBS action drama NCIS has enjoyed a very close working relationship with the US military, which allows the entertainment liaison offices to review every script, even for episodes where they provide no

ClandesTime 186 – NCIS

NCIS is a wildly successful TV drama, one of the most popular series of the last 20 years. This week I recount how the DOD, Navy and Marine Corps routinely rewrite episodes of NCIS to fit their PR and propaganda goals.

US Army Doesn’t Work on ‘Audience Participation’ TV Due to ‘Spontaneity’

The US Army's regulations on Public Affairs activities are over 100 pages of rules and restriction governing how the Army interacts with news media, entertainment media and other public events.  It outlines which activities require prior approval from Army Public Affairs chiefs (i.e.

The DEA and Breaking Bad: Why Hank Never Tapped Jesse’s Phone

Despite its enormous popularity there are many problems with Breaking Bad - the utterly racist depiction of Mexicans, the glorifying of a sociopathic protagonist and that incredibly boring and pointless fifth season come to mind.  But what has never been discussed before is how the show functions as propaganda for the Dr

The Rebooted Designated Survivor: Sponsored by the CIA?

The soft reboot of the political drama Designated Survivor recently dropped on Netflix and in spite of Kiefer Sutherland making the least convincing president since Sarah Palin it is a considerable improvement on the first two seasons.

‘Fuck John Wayne’ – Why the DOD Prevented the movie Fields of Fire from Being Made

When James Webb approached the Pentagon to ask for assistance making his Vietnam war drama Fields of Fire he had every right to expect their support.  A former Marine and short-term Secretary of the Navy he was a military veteran who had written his novel based on his own real-life experiences of V

Black Hawk Down, the LA Riots and Clear and Present Danger

When the producers of Clear and Present Danger approached the Pentagon to ask for military support they probably weren't expecting 6 months of script negotiations to get their film into a shape deemed acceptable by the entertainment liaison offices

The FBI and DEA Spy on Hollywood Producers

The relationship between intelligence agencies and the entertainment industry is complex and multi-faceted.  Angles include the influence of the agencies on their own public image, the influence of entertainment on the agencies, and intelligence-gathering by those agencies on the culture industry.

The DEA and the Entertainment Industry: Spying, Censorship and Control

The Drug Enforcement Administration (DEA) recently released nearly 200 pages of contracts between themselves and entertainment producers, which for the first time shed light on how they interact with Hollywood.

‘A Complete Rewrite of the Storyline Would be Required’ – DOD File on The Presidio

1988's The Presidio wanted to film at the real Presidio in San Francisco, an Army installation.  As per usual this required a full military script review, but the DOD responded demanding a 'complete rewrite' before they would approve access to

Why Did the Pentagon Support Godzilla and Transformers, but Rejected Jarhead?

The 2005 biographical war film Jarhead is one of a very small number of films set in the first Gulf War.  Despite being based on the autobiography of a Marine who served in Desert Storm the DOD refused to provide it with military support. 

ClandesTime 179 – The Philosophy and Politics of Superman

Superman is one of the world’s most recognisable cultural icons. A symbol of human idealism, he has been subject to a range of political and philosophical agendas over the last 80 years.

The Pentagon, Superman and the Freedom of Information Act

In 1977 the producers of Superman and Superman II approached the Pentagon to try to obtain stock footage of missiles launching, for use in depicting Lex Luthor's dastardly plot to nuke the San Andreas fault.  The Air Force and Strategic Air Command were provided

Watergate, the Mark Felt Biopic and the FBI

In my latest article for Shadowproof I examine the FBI's role in the Mark Felt biopic Mark Felt: The Man Who Brought Down the White House.  Using documents obtained under FOIA and an interview with Ed Gray, the son of FBI acting director Pat Gray (who is depicted in Mark Felt) I

Veteran of Sadr City Ambush Exposes The Long Road Home as Shameful Propaganda

One of the veterans of the ambush in Sadr City in April 2004 has revealed that National Geographic's film The Long Road Home is a shameful piece of propaganda that butchers history and ignored offers of h