propaganda

‘Fuck John Wayne’ – Why the DOD Prevented the movie Fields of Fire from Being Made

When James Webb approached the Pentagon to ask for assistance making his Vietnam war drama Fields of Fire he had every right to expect their support.  A former Marine and short-term Secretary of the Navy he was a military veteran who had written his novel based on his own real-life experiences of V

Black Hawk Down, the LA Riots and Clear and Present Danger

When the producers of Clear and Present Danger approached the Pentagon to ask for military support they probably weren't expecting 6 months of script negotiations to get their film into a shape deemed acceptable by the entertainment liaison offices

ClandesTime 182 – Clear and Present Danger

1994’s Clear and Present Danger is one of the most important movies in the cinema of the war on drugs, depicting black operations by the CIA and US military against a Colombian drug cartel.

Q-Force, or How Queers Learned to Stop Worrying and Love Fascism

Netflix recently ordered a 10-episode first series of Q-Force, the world's first animated LGBTQ spy series.  Pitched as a 'gay James Bond' the cartoon will undoubtedly contain the usual PR for the security state, wrapped up in a rainbow flag.  No doubt

Europe : L’invasion des profanateurs

C'est la voix... La voix cassée des gens qui en ont assez de la langue de bois... vous ne les entendez pas? Crier pour se faire entendre ? Prier, pour se faire comprendre ?

ClandesTime 181 – The Cinema of Iran-Contra

Iran-Contra is in many ways the definitive government conspiracy – involving guns, drugs, anti-communism and black operations, it went all the way to the White House.

Top Secret CIA Emails on Osama bin Laden ‘Devil Doll’

In 2014 the Washington Post's Adam Goldman published a story about the CIA producing dolls of Osama bin Laden as part of an influence operation designed to diminish the former Al Qaeda's leader's popularity in the Middle East.  The dolls would be made so the paint on the eyes would easily rub off, revealing 'devil eyes' underneath.

Official Skripal Story Changes Yet Again, This Time with Added Ducks

According to the New York Times, the official story we’ve been told about the Skripals isn’t true, and wasn’t true when the UK government told it to us.(

Veteran of Sadr City Ambush Exposes The Long Road Home as Shameful Propaganda

One of the veterans of the ambush in Sadr City in April 2004 has revealed that National Geographic's film The Long Road Home is a shameful piece of propaganda that butchers history and ignored offers of h

Interview 1437 – Roberto Casanueva Spreads Positive Propaganda

[audio mp3="http://www.corbettreport.com/mp3/2019-04-09%20Roberto%20Casanueva.mp3"][/audio]Today we talk to Roberto Casanueva about Positive Propaganda People and the idea of spreading across the country and around the world.

ClandesTime 173 – Public Enemies

Public Enemies is a 2009 historical drama/thriller film that tells the story of the Bureau of Investigation’s manhunt for Public Enemy Number One John Dillinger. In this episode I examine the film, the politics of crime and the romanticising of criminals.

ClandesTime 171 – The Last Ship

The Last Ship is one of the most popular cable TV shows of recent years, as well as one of the most successful pieces of militainment. In this episode I examine the politics of the show, in particular how it depicts a conflict between the US and China.

How and Why the FBI Rewrite Hollywood Movies

Just like other government agencies the FBI are deeply involved in the entertainment industry, collaborating with film andTV producers to polish the Bureau’s public imageand project their messaging into the minds of moviegoers.

ClandesTime 167 – Phil Strub’s Greatest Hits

I recently found out that Strub retired from his job as the DOD’s Hollywood liaison last July, though this wasn’t covered by any news outlets and the DOD didn’t bother to tell anyone.

Was the Integrity Initiative behind the Salisbury Poisoning?

Newly-released documents on the Institute for Statecraft's Integrity Initiative suggest that they had a hand in the Salisbury poisoning fiasco that dominated the British press last summer.

ClandesTime 165 – Military Meta-Propaganda

Since the publication of National Security Cinema last summer, we have seen an uptick in the media coverage of the Pentagon in Hollywood, much of it originating with the Pentagon itself. This week I take a look at the PR efforts the DOD has embarked upon, about its own PR efforts in Hollywood.

ClandesTime 164 – China’s Influence in Hollywood

China is without doubt a major player in Hollywood. Both private investment and state regulations and censorship have played a significant role in the American movie business in recent years.

ClandesTime Special – The Royal Family, Brexit and Union Jackboot

This week, I welcome Matt Alford to the show to talk about the media manipulation of the image of the British Royal Family, and how it relates to British foreign policy, including Brexit.

Why Does the US Army have a Collection of Nazi Art?

The latest release from the US Army's entertainment liaison office provokes many questions. Why did they refuse to support the movie Rampage? Why are the military pitching ideas to studio executives? Who is in charge of the Pentagon's operations in Hollywood?

Review – War School: The Battle for Britain’s Children

It isn't often that I see a film that angers and educates me in equal measure. War School: The Battle for Britain's Children is a new documentary exploring the growing peace movement in the UK, and the militarisation of British schools for propaganda and recruitment purposes.

ClandesTime 159 – The Founder

The Founder is a 2016 biopic of Ray Kroc, the man who created McDonald’s. Or did he? In this episode I examine this ambiguous film, one of the best examples of cultural capitalism to come out of Hollywood in recent years.

The ’24 Mentality’: The CIA, Torture and the ‘Ticking Bomb’ Scenario

Just as politicians start to believe their own speeches, intelligence agencies start to believe their own propaganda. Nowhere is this clearer than in the CIA's black stite torture program initiated in the wake of 9/11.