Jack Ryan Star John Krasinski Tries to Dispell Allegations of Propaganda
With just a week to go before season 2 of Amazon's Jack Ryan is released and the eponymous star John Krasinski has tried to downplay allegations that the show is propaganda for a US coup or war in Venezuela. In an interview he tried to make out that the new season is all about Ryan trying to find out what happened to a friend of his, an ambassador, and that because the US doesn'
Did the Pentagon Support Venezuela Coup Porn Jack Ryan Season 2?
As prep for my forthcoming video on Amazon's Jack Ryan as next-gen propaganda I've been keeping an eye on promotions and events around the launch of season two in November. The first episode was shown at New York Comic-Con a few days ago, and at a panel discussion the new series regular Michael Kelly revealed that he shot a scene in a Blackhawk helicopter. This appears to confirm that the Pe
New Jack Ryan Trailer Illustrates Western Hypocrisy Over Arms Trade
The latest trailer for Amazon Prime's Tom Clancy's Jack Ryan is a perfect illustration of Western double standards and hypocrisy over the global arms trade. As I predicted in an earlier article, the plotline centres on Venezuela and in all likelihood is going to be little more than regime change propaganda. The new trailer adds a few more details, which make the prospects for the
The New Jack Ryan Will Promote a Coup in Venezuela, but Why did the DOD Reject the Series?
The teaser trailer for season 2 of Tom Clancy's Jack Ryan depict John Krasinski as the eponymous hero in a Latin American country where there is an uprising against the government (cough, thinly-disguised Venezuela, cough). Like season 1, I expect the show will by fully supported by the CIA but the DOD rejected the producers' requests for support, tu
NCIS is a wildly successful TV drama, one of the most popular series of the last 20 years. This week I recount how the DOD, Navy and Marine Corps routinely rewrite episodes of NCIS to fit their PR and propaganda goals.
On this feature-length subscriber podcast I analyse the Hulu TV drama The Looming Tower (based on the original book by Lawrence Wright). It tells the story of the intelligence breakdown between the CIA's Alec Station and the FBI's I-49 squad, honing in on the tetchy relationship between the FBI's John O'Neill and the CIA's Michael Scheuer.
The DEA and Breaking Bad: Why Hank Never Tapped Jesse’s Phone
Despite its enormous popularity there are many problems with Breaking Bad - the utterly racist depiction of Mexicans, the glorifying of a sociopathic protagonist and that incredibly boring and pointless fifth season come to mind. But what has never been discussed before is how the show functions as propaganda for the Drug Enforcement Administration, which likely explains why Hank never got a
The Rebooted Designated Survivor: Sponsored by the CIA?
The soft reboot of the political drama Designated Survivor recently dropped on Netflix and in spite of Kiefer Sutherland making the least convincing president since Sarah Palin it is a considerable improvement on the first two seasons. What no other critic has noticed is that the CIA supported the series, likely through their 'longtime contact' Rich Klein.
Q-Force, or How Queers Learned to Stop Worrying and Love Fascism
Netflix recently ordered a 10-episode first series of Q-Force, the world's first animated LGBTQ spy series. Pitched as a 'gay James Bond' the cartoon will undoubtedly contain the usual PR for the security state, wrapped up in a rainbow flag. No doubt it will be heralded by numerous liberal and LGBTQ media outlets as 'breaking down barriers' and praised for including 'the heroes trans p
The DEA and the Entertainment Industry: Spying, Censorship and Control
The Drug Enforcement Administration (DEA) recently released nearly 200 pages of contracts between themselves and entertainment producers, which for the first time shed light on how they interact with Hollywood.
‘The Script was Entertaining but very Sophmorish’ – FBI Deputy Director on The X-Files
In 1998 retired FBI deputy director Cartha DeLoach was asked by the producers of The X-Files to review the script for an episode of the show that was set in the 1950s. The FBI recently released DeLoach's response to the producers, where he branded the script 'very entertaining but Sophmorish', taking particular issue with the depiction of his boss J Edgar Hoover.
Stars of CBS’ FBI Admit They are Making Propaganda for the FBI
Missy Peregrym and Zeeko Zaki, two of the stars of the CBS drama FBI were asked about the government shutdown this week, and responded with a statement that sounds like it was written by the FBI's Investigative Publicity and Public Affairs Unit.
In my final review of The Wire I discuss how the core theme of season 5 – truth – plays out across several storylines. From fake news to McNulty’s fictional serial killer to the Clay Davis trial, I talk about how the abusive institutions that make up a city’s control mechanisms encourage and reward lies, […]
In this penultimate review episode I look at how the education system is a poor place to learn anything, how standardised testing is a form of child abuse, the fundamental problems of electoral politics, and expand on why an intelligence-based approach to societal problems is always better than a military-based approach.
In part 3 of this subcriber-only review series I look at season three of The Wire. In this season the Barksdale storyline comes to a climax, while the city hall politics are added into the ever-expanding world of the show. I examine the Hamsterdam experiment, where one police major decides to legalise drugs in certain […]
This is part 1 of a new subscriber-only review series where I talk about The Wire. In this episode I discuss some of the recurring themes – the war on drugs, the failed police tactics, the dirty money trail – along with the complex metaphysics of the show. I talk about some of my favourite […]
The ’24 Mentality’: The CIA, Torture and the ‘Ticking Bomb’ Scenario
Just as politicians start to believe their own speeches, intelligence agencies start to believe their own propaganda. Nowhere is this clearer than in the CIA's black stite torture program initiated in the wake of 9/11.
The new Amazon series Tom Clancy’s Jack Ryan is the first TV show to film at CIA headquarters for several years, in keeping with the Agency’s long-time support for adaptations of Clancy’s work.
Jack Ryan is the Latest TV Show to Film at CIA Headquarters
Amazon's new headline streaming series Tom Clancy's Jack Ryan is the first TV show to film at CIA headquarters for several years, after a fairly disastrous run that saw two awful movies along with an awful TV programme film there circa 2014.
ClandesTime 157 – Two Years Inside the CIA’s Office of Public Affairs
The CIA’s Office of Public Affairs (OPA) was established in the late 1970s and contains their entertainment liaison office. This week I go through an 8-page summary of the CIA’s Entertainment Liaison and Media Outreach activities covering 2014-16.
What does the CIA’s Office of Public Affairs Actually Do?
The CIA's Office of Public Affairs is - ironically - very tight-lipped about what they actually do, so I was pleased that they recently responded to a 3 year old FOIA request and provided me with a document summarising their activities from 2014 to 2016.
Condor is a TV reboot of Three Days of the Condor, and centres around a CIA officer who goes on the run after he is framed for killing 11 of his colleagues. In this episode I examine whether Condor was CIA-sponsored, why the Agency might support a series that shows them planning massive crimes, and […]
ClandesTime 147 – Crime, Censorship and the Copycat Effect - Spy Culture
For movie censors, crime is perhaps the most complex issue to make decisions about. They want the public to be alert to the possibility of crimes happening, and respectful of law enforcement institutions. But entertainers and audiences want dramatic, ambiguous villains and stories of institutional corruption and hubris.
Subscriber Podcast #21 – Satirising the Security State - Spy Culture
While most entertainment supports or promote the military, police and intelligence agencies there is a smaller but important sub-genre that critiques and satirises the security state. On this month’s subscriber-only podcast I look at four examples – two TV series and two films – that mock and criticise the security and intelligence agencies. From Snake […]
ClandesTime 144 – The Recruit (by Robert Muchamore) - Spy Culture
One of the growing markets in spy fiction is pop culture aimed at teenagers or ‘young adults’. The CHERUB series by Robert Muchamore depicts a junior wing of MI6, with the first novel in the series – The Recruit – depicting the recruitment, training and first mission of our protagonist, James Adams.
The FBI thought the TV show The Untouchables inspired Criminals - Spy Culture
The Untouchables TV series (1959-63) was the first of its kind – a police procedural with explicit violence and action. Up until then most detective stories focused on the investigation, but The Untouchables featured the gunfights and car chases that became staples of the genre by the 1970s. It was also subject to investigation by […]
Salisbury, Skripals & Syrian Airstrikes – Tom Secker on Media Roots - Spy Culture
I recently joined Robbie Martin of Media Roots to discussion the Salisbury poisoning, the Skripals, the Syrian airstrikes and the general state of politics and Russophobia. We covered many of the reasons to be sceptical of the official story about the poisoning of the Skripals, how this relates to the situation in Syria, and a […]
Subscriber Podcast #18 – How Pop Culture Predictively Programmed a Poisoning - Spy Culture
In this month’s subscriber-only podcast I take a look at three TV series which predicted or reinforced various aspects of the official story of the poisoning of Sergei and Yulia Skripal. I examine Salvation, Homeland and Strike Back have featured dialogue and storylines about Litvinenko, Russian assassination of former spies, Novichok and more.
ClandesTime Special – Conspiracy Theories: The Salisbury Poisoning - Spy Culture
On March 4th Sergei Skripal and his daughter Yulia were poisoned in the sleepy British city of Salisbury, by forces currently unknown. The British government immediately blamed Russian intelligence, leading to weeks of accusations and counter-accusations, diplomatic expulsions and lots of conspiracy theories about who really did this, and why.
Spy is a 2004 BBC gameshow where ordinary members of the public are trained and tested by real life ex-spooks and ultimately some are eliminated until there’s a winner. Spies is a 2017 Channel 4 gameshow where ordinary members of the public are trained and tested by real life ex-spooks and ultimately some are eliminated […]
Homeland Season 7 Episode 1 – Tom Secker on PPR - Spy Culture
Continuing our long-running commentary, Pearse invited me back onto Porkins Policy Radio to talk about the first episode of the new season of Homeland. For the first time in several seasons Homeland maintained the storyline from the previous season rather than rebooting the show’s storyline and characters. This of course means that President Keane and […]
ClandesTime 133 – Was the Unabomber Right? - Spy Culture
Ted Kaczynski is most famous for both being the most prolific serial bomber in US history and for writing the Unabomber Manifesto – a political-philosophical tract that was published by major newspapers and by the FBI. This week I take a look at the life of Ted Kaczynski and conduct a philosophical analysis of Industrial […]
ClandesTime 131 – The Science and Entertainment Exchange - Spy Culture
The Science and Entertainment Exchange (or SEEX) has consulted on over 1300 films and TV shows in less than 10 years, but outside of Hollywood few people know who they are and what they do. This week we pull back the curtain to look at their activities and their agenda.
ClandesTime 128 – The FBI in Hollywood - Spy Culture
Of all the US intelligence agencies, the FBI has the longest-running relationship with Hollywood. From spying on A-listers as to helping blacklist screenwriters, through to manipulating scripts for PR and propaganda purposes, the Bureau’s influence on Tinseltown is very broad.
The FBI’s Entertainment Liaison Office - Spy Culture
Newly released documents shed light on the FBI's entertainment liaison office - officially titled the Investigative Publicity and Public Affairs Unit (IPPAU), including how they work on dozens of popular films and TV shows, and reject requests for support for PR reasons, just like the Pentagon.
Extra Bonus Podcast – House of Cards 3 – The Final Cut - Spy Culture
In our review of the final season of the original House of Cards, Pearse and I discuss whether Urquhart is a psychopath, or someone so brutalised by the military and ruling class life that he is indistinguishable from one. We look at The Final Cut’s depiction of British foreign policy – a new element for […]
The FBI spied on the star of The F.B.I. - Spy Culture
The long-running ABC show The F.B.I. was perhaps the greatest success of the FBI's entertainment liaison office during Hoover's time as head of the Bureau. The deal struck between the FBI and the producers granted Hoover approval and veto power over scripts, casting and even sponsors. In return Hoover allowed unprecedented access to case files, personnel and FBI properties and even appeared in the show on occasion himself.
Have the CIA relaxed their rules about filming Langley? - Spy Culture
In last weekend's ClandesTime I discussed how the CIA no longer allow film-makers to shoot footage of the CIA headquarters, leading the producers of Mission: Impossible - Rogue Nation to re-use old footage of Langley, but it appears they may have relaxed this rule and are now allowing filming, or at least providing newer footage to entertainment producers.
ClandesTime 125 – Why Can’t You Film at Langley Any More? - Spy Culture
The first movie to film at CIA Headquarters at Langley was Scorpio in the early 1970s. The last major film was Argo in 2012. Sometime in 2014 the CIA stopped letting film-makers shoot footage on the CIA campus. This week I examine this decision by analysing the last two films that were granted access to […]
Extra Bonus Podcast – House of Cards Season 1 - Spy Culture
Pearse hosted this podcast for his subscribers but I am also making it available for those of you who support me on Patreon as well. In the first of three episodes, Pearse and I examine season 1 of the original (and superior) House of Cards, which follows Francis Urquhart's rise from Chief Whip to Prime Minister.
Top Secret Files on the Disappearance of Buster Crabb - Spy Culture
Buster Crabb was a WW2 British Navy Frogman who in 1956 was recruited by MI6 to spy on Soviet ships docking in Portsmouth harbour during a goodwill visit. These files - some available here for the first time - detail the British government's interference in the inquest into Crabb's presumed death, their internal inquiry into what happened and their attempts to prevent the BBC making a documentary about the story.
ClandesTime 122 – The Fake Sheikh and Red Mercury - Spy Culture
In 2004 three men were arrested in the UK for trying to buy red mercury – a trigger for a nuclear bomb – from an undercover journalist working with British intelligence. This plot inspired multiple films and TV programmes and the resulting trial cost over £1 million. The problem is that ‘red mercury’ doesn’t exist.
Hollywood and Washington – Tom and Matt on Level Talk - Spy Culture
John Harrison of Sputnik radio's Level Talk invited Matt and I on to talk about National Security Cinema and the relationship between Hollywood and Washington.
The Jennifer Garner CIA Recruitment Video - Spy Culture
I recently obtained a copy of the notorious 2004 CIA recruitment video featuring Alias star Jennifer Garner. This is not available anywhere else online, and the CIA did not release it in response to my FOIA request (they claimed to be unable to find a copy). Basically, after a lot of screwing around I managed to download a version from an archive of the page on the CIA's web site.
Pearse Redmond joins us to discuss the TV series Billions, which mixes elements of legal thrillers, human drama, sexual fetishes, 9/11 insider trading and deep politics. We examine the characters in the film and how they are metaphors for the philosophical conflict at the heart of American politics between individual free will and the need for government as a restricting force.
Winston, The One-Horse Propaganda Machine - Spy Culture
Winston the police horse was named after Winston Churchill, having joined the Met in the 1940s. He featured in numerous royal events, ridden by both King George and princess and then Queen Elizabeth during the Trooping the Colour ceremonies in the 40s and early 50s.
Homeland Season 6 finale – Tom Secker on PPR - Spy Culture
In our final analysis and review for Homeland season 6 Pearse and I dissect the last two episodes, looking at the shifting loyalties and role reversals around the attempted assassination of the president-elect.
Subscriber Podcast #6 – Under Siege (no, not that one) - Spy Culture
In this month's subscriber-only podcast Pearse and I discuss the 1986 TV movie Under Siege. Co-written by former Washington Post reporter Bob Woodward on the surface this is a liberal take on the Reagan White House, but underneath is a profoundly neoconservative film.
ClandesTime 103 – MI5 Censorship of Panorama - Spy Culture
In 1980 the BBC's documentary series Panorama began developing an episode on British intelligence. This was the first of its kind, at least by such a prominent and respected series, but both the central government and the intelligence agencies were not happy. Over a period of several months they put pressure on the BBC, trying to stop the programme from being broadcast.
Top Secret File on Government Censorship of Panorama - Spy Culture
In the summer of 1980 the BBC's flagship documentary series Panorama was developing a TV special about British intelligence. This was the first film of its kind, and perhaps unsurprisingly Thatcher's government was not happy about it. Downing Street put pressure on the film-makers via BBC Director-General Ian Threthowan, and an MI5 lawyer previewed the film and provided detailed feedback on what to remove.
In 1969 the CIA obtained a copy of The CIA, a screenplay being developed at Universal Studios, written by William Woodfield and Allan Balter. Woodfield and Balter were perhaps best known for writing the TV series of Mission: Impossible, until they had a well-publicised falling out with series creator Bruce Geller.
What Connects Jack Valenti, E Howard Hunt and The Godfather? - Spy Culture
On the face of it former CIA officer, Watergate burglar and confessed JFK assassin E Howard Hunt shouldn't have had much to do with former MPAA president Jack Valenti. They both served in WW2 (Hunt in the OSS, Valenti in the Army Air Forces) and both died in 2007. They may both have been present at the John Kennedy assassination.
‘All my projects are merging’ – CIA emails on Covert Affairs - Spy Culture
Covert Affairs was a not particularly original spy series telling the tale of an attractive young woman who is thrust into the world of CIA black operations. It lasted for five seasons, mostly because it starred Piper Perabo and people like Piper Perabo.
‘We will do NO press on this’ – CIA emails on Claire Danes’ first visit to Langley - Spy Culture
Newly-available emails show that when Claire Danes first visited CIA headquarters, she did so in very low-key fashion after a friendly CIA agent got her in. This confirms that the Agency have been involved in the production of Homeland since the first season, and shows how even their liaisons with the entertainment industry are sometimes done very quietly.
Homeland Season 6 – Tom Secker on Porkins Policy Radio - Spy Culture
This week I joined Pearse to talk about the beginning of the new season of Homeland, and how it isn't quite what we expected. The entire 6th season is set between the US presidential election and inauguration day and while the president-elect is female, she is no Hitlery Clinton. Instead she is a peacenik who wants to withdraw from Syria, and believes the domestic terrorist threat is overblown.
Spies is the 'new' game show from Channel 4. I say 'new' because it's a blow-for-blow remake of the 2004 BBC series Spy, which also took a small group of members of the public and had three former spooks put them through their paces via a series of tests and training exercises.
ClandesTime 095 – The CIA and Top Chef - Spy Culture
The CIA finally jumped on the cooking-themed reality TV propaganda bandwagon in 2010 when they hosted an episode of Top Chef. This week we take a look at the episode in question, how it flattered the CIA, and how Top Chef has involved numerous government agencies and departments.
Subscriber podcast #2 – Fake News and The Brink - Spy Culture
In this subscriber-only podcast I talk about the new book I am working on, the fake news hype of recent weeks and review nuclear war sitcom The Brink. This podcast is only available to supporters of my patreon campaign.
ClandesTime 085 – WW2 Spies and Hyperreality - Spy Culture
Mutt and Jeff were a pair of Norwegian double agents during WW2, named after the popular cartoon characters. They played a crucial role in deceiving the Nazi intelligence apparatus by taking part in false flag sabotage and deception operations. Several of these operations have very curious codenames including Operation GUY FAWKES and Operation BUNBURY.
Tricia Jenkins' The CIA in Hollywood was one of the books that inspired me to start this site, and the recently published second edition expands considerably on the original. Because the CIA is resistant to FOIA requests and other forms of inquiry, Jenkins amassed a wide range of open source materials and interviewed various people both from the CIA (or formerly of the CIA) and from the entertainment industry.
Decoding Chase Brandon: CIA Entertainment Liaison - Spy Culture
Chase Brandon was the CIA's first entertainment liaison officer, working in the entertainment industry for over a decade from 1996 onwards. Brandon helped produce over a dozen major films and a similar number of TV shows and more than any other individual helped set up a permanent CIA network within Hollywood and the rest of the industry.