A video essay presenting my breakdown of Amazon's Jack Ryan, including how the CIA, DOD and other US government agencies were involved in producing it. I outline some of the history between the government and Tom Clancy productions before breaking down how seasons 1 and 2 are propaganda for US foreign policy.
A recent report in Newsweek’s NewsGeek section has drawn attention to how video games, just like other forms of entertainment, can carry political messages.
Did the Pentagon Support Venezuela Coup Porn Jack Ryan Season 2?
As prep for my forthcoming video on Amazon's Jack Ryan as next-gen propaganda I've been keeping an eye on promotions and events around the launch of season two in November. The first episode was shown at New York Comic-Con a few days ago, and at a panel discussion the new series regular Michael Kelly revealed that he shot a scene in a Blackhawk helicopter. This appears to confirm that the Pe
Mecha-Marines: US Marine Corps Developing Aliens-style Exoskeleton
The US military’s attempts to duplicate action movie technology took another leap recently as the Guardian XO robotic exoskeleton was demonstrated at the recent Modern Day Marine expo. The suit is an obvious knockoff of the power loader exosuit featured in Aliens over 30 years ago, and reports suggest that marines will begin testing the […]
One of the most common conspiracy theories you hear in this line of research is that the Pentagon and CIA fund Hollywood movies. This isn't entirely untrue - the CIA covertly funded productions of Animal Farm and 1984 in the early Cold War period - but on the whole, it is untrue. In all the many thousands of documents I have about the government involvement in the entertainment industry, there are very few indications
Revolving Doors: Technical Advisors and The Entertainment-Propaganda Complex
The role of the technical advisor is crucial to understanding the military-Hollywood relationship, but very few people know who these people are or what they do. Even less well known is that a significant number of private industry technical advisors used to work for the Pentagon's entertainment liaison offices, and are effectively continuing that work even after leaving th
The New Jack Ryan Will Promote a Coup in Venezuela, but Why did the DOD Reject the Series?
The teaser trailer for season 2 of Tom Clancy's Jack Ryan depict John Krasinski as the eponymous hero in a Latin American country where there is an uprising against the government (cough, thinly-disguised Venezuela, cough). Like season 1, I expect the show will by fully supported by the CIA but the DOD rejected the producers' requests for support, tu
USAF’s Rules of Engagement for Hollywood: No Flipflops or Hoverboards, and No Goddamn Peanuts
The US Air Force recently released a tranche of documents on the support they provided to the Neil Armstrong biopic First Man. This included their Rules of Engagement for companies filming on Edwards Air Force Base, which detail the stringent and at times ludicrous restrictions the Air Force places on Hollywood film crews.
How the DOD’s Entertainment Liaison Office Protects the Entire US Government
The DOD's directive on working with Hollywood says that they can provide production assistance if it is deemed 'in the best interest of the Nation', but as with all their criteria for deciding whether to give support the Pentagon interpret this very broadly. They use the considerable influence that DOD support (or a refusal) entails in order to protect the cinemat
1994’s Clear and Present Danger is one of the most important movies in the cinema of the war on drugs, depicting black operations by the CIA and US military against a Colombian drug cartel. In this episode I do a deep dive on Clear and Present Danger, and how it set the standards for much of the war on drugs-themed entertainment since then.
The Latest in Recruitment Propaganda: US Air Force teams up with MMA
The US military's ever-expanding portfolio of recruitment efforts just broke new ground: the Professional Fighters League. This mixed martial arts league is watched the world over and a recent event in Nassau was sponsored by Air Force Special Ops and the Air Force Reserve Command. It seems no aspect of pop culture is free from the full spectrum dominance of Pentagon's propaganda operati
The Superman reboot Man of Steel launched the (now abandoned) DC Extended Universe, and put a much darker tinge on the Superman franchise than any previous incarnation, especially the Christopher Reeve classics. Man of Steel benefited from large-scale support from the military, but hidden until now are the details of the script changes the DOD […]
The Pentagon, Superman and the Freedom of Information Act
In 1977 the producers of Superman and Superman II approached the Pentagon to try to obtain stock footage of missiles launching, for use in depicting Lex Luthor's dastardly plot to nuke the San Andreas fault. The Air Force and Strategic Air Command were provided with copies of the script in order to assess the request, and there were disagreements between the various DOD components as to whethe
UFOs. Probable extraterrestrials. Investigation and revelation. Nazi scientists. A military cover-up. With all these elements in place the History Channel's Project Blue Book should be an exciting, unpredictable replacement for The X-Files. Instead it is a dull-as-dishwater procedural that lacks tension, drama and political relevance.
The US Military Celebrate Captain Marvel as ‘the film girls need’
The US military, particularly the Air Force, invested a lot of time and resources in helping make Captain Marvel, and so far they are happy with the return on that investment. Yesterday, an article on Military.com celebrated Captain Marvel as 'the film girls need' and 'one the military community needs'. But it hasn't been long since the military were actively objecting to scen
Captain Marvel: the latest propaganda collaboration between the military and the MCU
Captain Marvel opened this weekend to a monster box office haul of $153 million domestically and over $450 million worldwide. Its star Brie Larson heralded it as ‘the biggest feminist movie of all time’ but behind this glossy, progressive veneer lies a troubling connection.
The CIA, the National Reconnaissance Office and Ice Station Zebra
The 1968 spy and counterspy classic Ice Station Zebra was inspired by a real life event during the CIA/Air Force Corona spy satellite program. In April 1959 the satellite Discoverer 2 became the first to send a recovery capsule containing satellite surveillance imagery back to earth, but there was a problem. The capsule landed somewhere near Svalbard, Norway, but was never found. I
Spy Culture in LA Magazine Article on Captain Marvel
Yesterday, LA Magazine published a piece on the military and Captain Marvel and - I'm pleased to say - they used this site as a research source. After years of researching, speaking and writing about Marvel's relationship with the military it seems the word has got out, and I for one am very glad that the relationship between the Pentagon and the world's biggest film franchise is becoming
I was recently made aware of a Newsweek article on Captain Marvel that used this site as a source. The article ‘Captain Marvel’ Latest Superhero Movie to Promote Air Force in Trend Stretching Back to Comics is one of several that highlight how the new MCU movie Captain Marvel has re-established Marvel's relationship with the US military.
1996's action thriller Executive Decision may be light on action and lacking thrills but it is notable for one thing - the script violated the Geneva Convention and led to the Pentagon temporarily withdrawing support for the film. When the producers initially approached the DOD they were told that military assistance was 'out of the question'.
The 1996 action thriller Executive Decision was an early example of what should be called ‘irregular war films’, pitting a team of special forces commandos against a gang of terrorists, on a hijacked plane headed for Washington DC.
The Pentagon Rewrites History Through Movies – In Total Violation of its Directives on Hollywood
The DOD claim that they only rewrite Hollywood scripts in order to ensure accuracy and to inform the public about the military and its mission. This is total bullshit.
Since the publication of National Security Cinema last summer, we have seen an uptick in the media coverage of the Pentagon in Hollywood, much of it originating with the Pentagon itself. This week I take a look at the PR efforts the DOD has embarked upon, about its own PR efforts in Hollywood.
Why Does the Pentagon ████ing Hate Swearing in Movies?
One of the Pentagon's consistent bugbears when it comes to movie scripts is swearing. Whether it is from the mouths of military or civilian characters, the DOD doesn't like those ████ing cuss words. But why not? Given their various political and PR concerns why is bad language such a problem?
‘The bad guy/traitor can’t be a Secret Service agent’ – DOD Script Notes on Air Force One
Air Force One is one of the great military commercials disguised as a feature film. Laden with Russophobic rhetoric and corny dialogue about the heroism of the US military, it ticked every box for the DOD so they granted it full production support.
ClandesTime 160 – Why Doesn’t Hollywood Make War Films Any More?
Hollywood doesn’t make war films any more. This isn’t entirely true, but compared to the post-WW2 period there are a lot less war films being made today. In this in-depth episode I offer a brief history of war movies and anti-war movies, and how the Pentagon’s policy on supporting films depicting war seems to have changed over time.
Top Gun ‘Rehabilitated the Military’s Image’ After Vietnam, According to the Pentagon
The late Cold War classic Top Gun is one of the most well-liked military movies of all time. It's combination of romance, comedy and never-seen-before aerial action was made possible by extensive support from the DOD, particularly the US Navy.
How the Vietnam War changed the Pentagon’s Entertainment Liaison Offices and Helped Kill the War Movie
The Vietnam war had a huge impact. 3 million dead Vietnamese, tens of thousands of dead Americans, and millions more on both sides suffering from trauma, depression and drug and alcohol addiction. It also had a major influence on the US public’s willingness to engage in full-scale wars (at least until 9/11). It also had […]
How Product Placement Serves the Military-Industrial Complex
Wings (1927) was one of the first Hollywood films to benefit from full military support, was the first film to include sound effects on a film reel alongside the in-theater orchestra, and was the first film to win the Academy Award for Best Picture. It was also the first film to feature product placement.
2003's The Core is widely regarded as a piece of schlock, but with a sense of humour. It is certainly one the least realistic films the US military has ever supported, featuring a small craft that drills into the Earth's core so a team of scientists can nuke the core, get it spinning again and fix the problem with Earth's gravity. Yes, it's as dumb as it sounds. Equally dumb is how the Pentagon rewrote the script, and why.
ClandesTime 156 – The Pentagon and Pitch Perfect 3
To unsuspecting movie audiences Pitch Perfect 3 is a piece of lighthearted family-friendly entertainment to be enjoyed and then forgotten almost immediately. Lurking beneath this neutrally-toned surface lies a work of military recruitment propaganda, intelligently crafted to appeal to demographics that the DOD usually has trouble reaching.
How the Pentagon Rewrote Pitch Perfect 3 - Spy Culture
Pitch Perfect 3 appears on the surface to be a family-friendly piece of lighthearted, forgettable entertainment. But beneath that surface lies a carefully-crafted piece of military PR, aimed at recruiting people the DOD usually finds it hard to attract.
ClandesTime 155 – Production Assistance Agreements or How the Pentagon Broke the Rules for Transformers - Spy Culture
Most government agencies sign contracts with Hollywood producers when they agree to provide support on a film or TV show. These are called Production Assistance Agreements, and set out the legal terms of the partnership between the government and the production company.
Change ‘One Male and One Female’ to ‘Two Male’ – Pentagon Production Notes for Transformers 3 - Spy Culture
Going back through some documents released by the Army on the Transformers films I noticed that some of the notes weren't script notes from pre-production, but were production notes from while Transformers: Dark of the Moon was filming.
ClandesTime 154 – Hollywood Goes to Space Command - Spy Culture
As part of their outreach efforts the Air Force's entertainment liaison office has started running annual tours for dozens of Hollywood bigshots. Recently released documents detail last year's tour to US Space Command. In this focus episode I go through the documents page-by-page as an open source case study in the government-Hollywood relationship and in how to do this kind of research.
The 9 Most Important Questions about 9/11 that Remain Unanswered - Spy Culture
The pain of 9/11 remains unresolved because the crime of 9/11 remains unsolved. In 17 years no one has been prosecuted for carrying out the attacks, and the court of public opinion is very much a hung jury.
Map to the Stars: Hollywood Insiders Tour US Space Command - Spy Culture
The US Space Force took one step closer to becoming a hyperreality when nearly 40 major Hollywood players went on an 'Industry Leader Tour' of US Space Command.
On this month’s subscriber-only podcast I talk about my new job and why it means I’ve been unable to produce much content recently, and about the US Air Force’s competition to name the in-development B-21 strategic bomber.
ClandesTime 131 – The Science and Entertainment Exchange - Spy Culture
The Science and Entertainment Exchange (or SEEX) has consulted on over 1300 films and TV shows in less than 10 years, but outside of Hollywood few people know who they are and what they do. This week we pull back the curtain to look at their activities and their agenda.
The Pentagon and the Science and Entertainment Exchange - Spy Culture
Officially, the Science and Entertainment Exchange (or SEEX) is the outreach program of the National Academy of Sciences – a non-governmental, non-partisan, non-profit honorific body who give awards and the like. In reality it is a government-funded entertainment liaison office who work closely with the military to help them accomplish their aims.
When MGM invited the CIA director to watch War Games – and he went - Spy Culture
In April 1983 MGM sent a priority cable to CIA headquarters, inviting director Bill Casey to a special screening of their new feature War Games, starring Matthew Broderick and Ally Sheedy. The private screening was hosted by the MPAA building in Washington D.C., and even more surprising than the invitation is that the notoriously secretive Casey said yes.
‘Do Not Discuss Politics on the Base’ – Air Force documents on Hollywood Civic Leader Tour - Spy Culture
Just prior to the 2016 Presidential Election the US Air Force took several dozen Hollywood figures on a Civic Leader Tour of military facilities in Alaska, as part of their ongoing attempts to gain friends and influence in Tinseltown.
ClandesTime 120 – The Pentagon’s Hostile Takeover of Hollywood - Spy Culture
In recent years the Pentagon have not only expanded their operations in the entertainment industry, they have aggressively and pro-actively tried to expand their influence on Hollywood. This week we take a look at how they are trying to cozy up to studio moguls, make friends and influence people, and get involved at the earliest stages of production.
National Security Cinema – New Book Reveals Government Censorship/Propaganda in Hollywood - Spy Culture
National Security Cinema is a new book that uses over 4,000 pages of documents to reveal government censorship and propaganda in Hollywood. From the Pentagon's rewriting of James Bond to the CIA's manipulation of Meet the Parents this is the biggest and best book ever written about military-intelligence propaganda in the entertainment industry.
Alaska, the Air Force and the Science and Entertainment Exchange - Spy Culture
Newly released reports from the US Air Force Entertainment Liaison Office confirm their continuing influence over the political content of the productions they support and refer to a mysterious event called the 'Alaska CLT'. The role of the Science and Entertainment Exchange - technically a non-governmental body - was to assist with bringing entertainment industry bigwigs to this event on behalf of the Pentagon.
Air Force One – Tom Secker on Uncle the Podcast - Spy Culture
Uncle and Aaron invited me back to drink Hoegaarden and discuss the movie Air Force One. This typically chaotic discussion focused on how the Air Force rewrote parts of the film in exchange for their support, why Hoegaarden reminds me of happy times, and how terrorists open locked doors on planes (hint: it involves plastic explosive).
Pentagon Production Assistance Agreement for United 93 - Spy Culture
United 93 was the first and - to date - the only major movie to depict what happened in the skies over the US on the morning of the 9/11 attacks. The film-makers intended it to be as accurate and realistic as possible, so they reached out to the Pentagon and the US Air Force in particular for assistance.
ClandesTime 094 – How Many Films has the Pentagon Supported? - Spy Culture
The Department of Defense is the government agency with the largest and most influential operations in Hollywood. But to how many films have they provided production assistance? How many movies have they supported?
Pentagon Production Assistance Agreements for Transformers - Spy Culture
Despite only producing 4 films so far the Transformers series is already one of the top 10 movie series of all time. In a paradox that encapsulates much of Hollywood, it appears that the worse the Transformers films get the better they do at the box office.
ClandesTime 093 – The Pentagon and the Cinematic Universe - Spy Culture
In less than 10 years Marvel has created the biggest money-making film franchise of all time with the Marvel Cinematic Universe. However, this probably wouldn't have been possible without the help of the Pentagon. In this episode we examine the rise of the MCU, the Pentagon's involvement, and the fallout of their disagreements when making The Avengers.
Updated ‘Complete’ List of DOD Films - Spy Culture
Sometimes the Freedom of Information Act is a strange beast and you receive something you didn't ask for, but are still happy to get. That happened to me recently when in response to a request about the Pentagon's Hollywood database I received an updated list of DOD Films - movies that were assisted by the DOD.
Pentagon Production Assistance Agreements for Iron Man 1&2 - Spy Culture
The first two Iron Man movies are far more important to cinematic history than their daft scripts, super-arrogant star performer and cartoonish presentation might suggest. Between them they made over $1.2 billion worldwide and established the Marvel Cinematic Universe, which has since become the biggest film franchise of all time.
Pentagon Production Assistance Agreement for Tomorrow Never Dies - Spy Culture
Tomorrow Never Dies is perhaps the most military-heavy Bond film of recent times, benefiting from production support from both the British and American armed forces. Despite this the Pentagon's Hollywood liaison Phil Strub denied that they provided any assistance to the film-makers.
Dept of Energy records on the filming of Tron (and Star Trek) - Spy Culture
Tron is a classic piece of transhumanist cinema and the first of a string of films where someone is sucked into a digital realm and has to battle it out with computer programs in order to save the day (the Matrix trilogy being the most popular examples).
‘Bin Laden Burial’ Took Place on Top Gun Ship - Spy Culture
Following the raid in Abbottabad in May 2011 the body of 'Osama Bin Laden' was flown to Bagram Air Force Base in Afghanistan, where Admiral William McRaven did not initially recognise him. From there the body was flown to the USS Carl Vinson, an aircraft carrier, where an autopsy was performed before a burial at sea. This is the same aircraft carrier that 25 years earlier featured in the film Top Gun.
United 93 was one of the first major films on the 9/11 attacks, and was praised for its in-depth research and docudrama realism. However, underneath the engrossing cinéma vérité style is a story of the US air defences that morning based almost entirely on the 9/11 Commission.
Pentagon Production Assistance Agreement for Man of Steel - Spy Culture
Sometimes the support of the DOD can improve a film. When the Pentagon provided Michael Bay with script notes and suggestions on Transformers III he 'was very receptive to our notes and expressed his desire for us to “help (him) make it better.”' However, Man of Steel was not so lucky. Whether in spite of or because of the Pentagon's support it was hands down the worst Superman film of all time.
Have you ever wondered about the relationship between UFOs or aliens in movies and the real-life experiences of people who report contact or abduction or witnessing these things? Have you ever wondered whether the government is using UFO movies to influence people's perceptions of these fringe but popular and captivating phenomena?